ART LIST
On this page there are all of Alina's artworks in stock
DOGLAND
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MOTHER NATURE
Year of creation: 2024
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting portrays a close-up self-portrait, blending traditional and modern elements. Silver eyeshadow, gemstones on my face, wet hair, and traditional Kazakh earrings symbolize my connection to my homeland. The background features a Kazakh tekemet (carpet) in light yellow with blue ornaments, representing my dual identity—rooted in tradition but looking toward the future.
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting portrays a close-up self-portrait, blending traditional and modern elements. Silver eyeshadow, gemstones on my face, wet hair, and traditional Kazakh earrings symbolize my connection to my homeland. The background features a Kazakh tekemet (carpet) in light yellow with blue ornaments, representing my dual identity—rooted in tradition but looking toward the future.
DAUGHTER OF STEPPES
Year of creation: 2024
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting reflects the Kazakh respect for nature, addressing the modern problem of overconsumption. I portray nature herself, burdened by excess, with a wooden staff carrying clothing in natural tones and materials. The tekemet background symbolizes the sky and sun. Through this work, I emphasize the importance of reconnecting with nature and preserving our environment before it’s too late.
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting reflects the Kazakh respect for nature, addressing the modern problem of overconsumption. I portray nature herself, burdened by excess, with a wooden staff carrying clothing in natural tones and materials. The tekemet background symbolizes the sky and sun. Through this work, I emphasize the importance of reconnecting with nature and preserving our environment before it’s too late.
MONSIEUR BOULEDOGUE
Year of creation: 2024
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
This portrait of a chocolate-colored French bulldog on a round wooden board blends elegance with charm. The rich brown coat contrasts warmly against the wood’s natural texture, giving the piece a rustic yet timeless feel. The round shape draws the viewer’s focus, centering the bulldog as the dignified subject. The rose in its mouth adds a touch of romance, juxtaposing the breed’s muscular form with tenderness, symbolizing both strength and affection.
The title Monsieur Bulldog references the breed’s French origins, imbuing the dog with an air of sophistication. The wooden medium contrasts with this sense of refinement, reflecting the French bulldog’s dual nature: both sturdy and noble. This portrait thus captures the essence of the breed—charm, strength, and cultural heritage—elevating it beyond a simple depiction into a symbolic expression.
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
This portrait of a chocolate-colored French bulldog on a round wooden board blends elegance with charm. The rich brown coat contrasts warmly against the wood’s natural texture, giving the piece a rustic yet timeless feel. The round shape draws the viewer’s focus, centering the bulldog as the dignified subject. The rose in its mouth adds a touch of romance, juxtaposing the breed’s muscular form with tenderness, symbolizing both strength and affection.
The title Monsieur Bulldog references the breed’s French origins, imbuing the dog with an air of sophistication. The wooden medium contrasts with this sense of refinement, reflecting the French bulldog’s dual nature: both sturdy and noble. This portrait thus captures the essence of the breed—charm, strength, and cultural heritage—elevating it beyond a simple depiction into a symbolic expression.
PEKINGESE 北京狗公
Year of creation: 2024
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
The title of the painting "Pekingese," written in Chinese, subtly emphasizes the breed's origins and highlights its historical connection to Chinese culture. This choice not only draws attention to the royal past of Pekingese, who were kept at the court of Chinese emperors for centuries, but also adds an extra layer of symbolism to the artwork.
The portrait itself, painted on a round wooden board, evokes a sense of ancient Chinese scrolls, where the circular form symbolized perfection and harmony. The Pekingese, depicted with the breed's characteristic beige fur and black markings, radiates calmness and dignity. Its image against a noble yellow background feels like an inseparable part of the artistic tradition, reminiscent of classic portraits where every detail emphasizes the subject's status and importance.
The yellow background, traditionally associated with imperial power in China, creates a striking contrast with the soft beige tones of the fur, lending the portrait a regal quality. In combination with the Chinese title, the painting takes on an even deeper meaning—it is not just a portrait of an animal, but a tribute to its rich cultural heritage, embodying the enduring connection between Eastern traditions and contemporary art.
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
The title of the painting "Pekingese," written in Chinese, subtly emphasizes the breed's origins and highlights its historical connection to Chinese culture. This choice not only draws attention to the royal past of Pekingese, who were kept at the court of Chinese emperors for centuries, but also adds an extra layer of symbolism to the artwork.
The portrait itself, painted on a round wooden board, evokes a sense of ancient Chinese scrolls, where the circular form symbolized perfection and harmony. The Pekingese, depicted with the breed's characteristic beige fur and black markings, radiates calmness and dignity. Its image against a noble yellow background feels like an inseparable part of the artistic tradition, reminiscent of classic portraits where every detail emphasizes the subject's status and importance.
The yellow background, traditionally associated with imperial power in China, creates a striking contrast with the soft beige tones of the fur, lending the portrait a regal quality. In combination with the Chinese title, the painting takes on an even deeper meaning—it is not just a portrait of an animal, but a tribute to its rich cultural heritage, embodying the enduring connection between Eastern traditions and contemporary art.
POMEGRANATE SELLER FROM DOGLAND
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau's The Pomegranate Seller presents a playful twist, where the figure retains the original human body and attire but now has the face of a dog. The classic posture, with the figure holding a basket of pomegranates, remains unchanged, preserving the elegance and detail of the original composition. However, the substitution of the dog’s face introduces an unexpected element of humor and surrealism. The juxtaposition between the refined, traditional clothing and the animal's face adds a layer of whimsy, while still respecting the painting’s classical aesthetics. This artwork subtly shifts the viewer’s perception, blending the boundaries between human and animal in a way that is both charming and thought-provoking.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau's The Pomegranate Seller presents a playful twist, where the figure retains the original human body and attire but now has the face of a dog. The classic posture, with the figure holding a basket of pomegranates, remains unchanged, preserving the elegance and detail of the original composition. However, the substitution of the dog’s face introduces an unexpected element of humor and surrealism. The juxtaposition between the refined, traditional clothing and the animal's face adds a layer of whimsy, while still respecting the painting’s classical aesthetics. This artwork subtly shifts the viewer’s perception, blending the boundaries between human and animal in a way that is both charming and thought-provoking.
DOG LADY WITH TAMBOURINE
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau’s Lady with Tambourine maintains the original’s classical elegance but adds an element of whimsy by replacing the human face with that of a dog. The figure’s body, posture, and the delicate tambourine remain untouched, preserving the graceful lines and gentle poise characteristic of Bouguereau’s work. The dog’s face, while humorous in its unexpected placement, is not exaggerated; instead, it blends seamlessly with the human form, allowing the viewer to explore the deeper contrast between human grace and animal innocence.
The dog’s expression evokes a sense of loyalty and warmth, adding an almost tender, playful layer to the composition. This contrasts with the classical elegance of the body, creating a surreal yet harmonious fusion of human refinement and animal charm. The tambourine, often a symbol of festivity and rhythm, takes on new meaning here, as the viewer might interpret the presence of the dog as a celebration of the playful, joyful spirit shared by both humans and animals.
By inserting a dog's face into this traditional and romantic depiction, the painting questions the boundaries between human and animal characteristics, blending dignity with humor. It also subtly critiques the idea of idealized beauty, replacing the delicate human face with that of a dog, but without diminishing the overall grace of the piece. The round tambourine, held aloft by the figure, mirrors the cyclical nature of life and the interconnectedness of all living beings, be they human or animal.
In essence, this parody invites viewers to reflect on the shared qualities between humans and animals—grace, innocence, playfulness—and how beauty can transcend species. The painting both honors and subverts Bouguereau’s original, blending the classical with the contemporary, the serious with the absurd, in a way that is both amusing and thought-provoking.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau’s Lady with Tambourine maintains the original’s classical elegance but adds an element of whimsy by replacing the human face with that of a dog. The figure’s body, posture, and the delicate tambourine remain untouched, preserving the graceful lines and gentle poise characteristic of Bouguereau’s work. The dog’s face, while humorous in its unexpected placement, is not exaggerated; instead, it blends seamlessly with the human form, allowing the viewer to explore the deeper contrast between human grace and animal innocence.
The dog’s expression evokes a sense of loyalty and warmth, adding an almost tender, playful layer to the composition. This contrasts with the classical elegance of the body, creating a surreal yet harmonious fusion of human refinement and animal charm. The tambourine, often a symbol of festivity and rhythm, takes on new meaning here, as the viewer might interpret the presence of the dog as a celebration of the playful, joyful spirit shared by both humans and animals.
By inserting a dog's face into this traditional and romantic depiction, the painting questions the boundaries between human and animal characteristics, blending dignity with humor. It also subtly critiques the idea of idealized beauty, replacing the delicate human face with that of a dog, but without diminishing the overall grace of the piece. The round tambourine, held aloft by the figure, mirrors the cyclical nature of life and the interconnectedness of all living beings, be they human or animal.
In essence, this parody invites viewers to reflect on the shared qualities between humans and animals—grace, innocence, playfulness—and how beauty can transcend species. The painting both honors and subverts Bouguereau’s original, blending the classical with the contemporary, the serious with the absurd, in a way that is both amusing and thought-provoking.
PHILOSOPHY OF LIFE
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward. Size 50cm x 70 cm.
The painting Philosophy of Life invites the viewer to reflect on human nature and the balance between the inner and outer worlds. The wet strands of hair falling over the face symbolize the weight of thoughts and emotions we carry, often hidden from those around us. The contrast of light and shadow across the face highlights life's duality—light and darkness, joy and pain, the visible and the concealed.
The hand supporting the head reflects a moment of deep contemplation, as if trying to bear the weight of life while maintaining balance. The model’s piercing, focused gaze embodies the desire to find meaning amidst chaos, revealing the profound truth that life is a constant search for balance, wisdom, and inner light.
The work urges us to consider our own philosophy of life: what we hide, what we acknowledge, and the path we take in our pursuit of truth.
Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward. Size 50cm x 70 cm.
The painting Philosophy of Life invites the viewer to reflect on human nature and the balance between the inner and outer worlds. The wet strands of hair falling over the face symbolize the weight of thoughts and emotions we carry, often hidden from those around us. The contrast of light and shadow across the face highlights life's duality—light and darkness, joy and pain, the visible and the concealed.
The hand supporting the head reflects a moment of deep contemplation, as if trying to bear the weight of life while maintaining balance. The model’s piercing, focused gaze embodies the desire to find meaning amidst chaos, revealing the profound truth that life is a constant search for balance, wisdom, and inner light.
The work urges us to consider our own philosophy of life: what we hide, what we acknowledge, and the path we take in our pursuit of truth.
SERENITY
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 50 cm.
Serenity draws viewers into a magical, almost ethereal world where reality merges with fantasy. The exaggerated, vibrant colors of the flower field and the dreamlike quality of the setting evoke a sense of stepping into a fantasy landscape, a place where joy and freedom are boundless. The pink and violet flowers, with their soft, otherworldly hues, symbolize enchantment and beauty, making the environment feel like a whimsical dream rather than a grounded reality. This fantastical setting is a reflection of inner peace and happiness, an idealized space where everything feels right.
The interaction between myself and my dog is central to the painting’s emotional and symbolic depth. Perched on her head, I am not only physically elevated but also metaphorically lifted by the love and companionship we share. This dynamic creates a sense of trust and childlike wonder, emphasizing the strength of our bond. The dog’s carefree movement through the field, unrestrained and joyful, mirrors the sense of freedom that comes from being fully present in a world unburdened by worries.
The fantastical landscape, with its vibrant colors and serene atmosphere, amplifies the idea that this is not just an ordinary walk but a journey through an idealized, almost utopian world. The blue sky without a single cloud represents limitless possibilities, suggesting a future free from anxiety or doubt. It heightens the dreamlike quality of the painting, where reality is softened and transformed into a pure expression of happiness and peace.
The smallness of my figure on my dog’s head reinforces the feeling of surrender to the moment, as though I am not in control but rather trusting my dog—and by extension, life—to carry me through this beautiful, fantasy-like world. The dog becomes a vessel of both joy and protection, embodying the purity of unconditional love and the power of companionship.
In conclusion, Serenity is an exploration of joy, freedom, and the fantastical nature of our most cherished relationships. Set in a world that feels like a dream, it speaks to the beauty of living in the present and trusting in the love that surrounds us. The painting is a vivid portrayal of the way companionship can transport us to places of peace and wonder, where everything feels just right.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 50 cm.
Serenity draws viewers into a magical, almost ethereal world where reality merges with fantasy. The exaggerated, vibrant colors of the flower field and the dreamlike quality of the setting evoke a sense of stepping into a fantasy landscape, a place where joy and freedom are boundless. The pink and violet flowers, with their soft, otherworldly hues, symbolize enchantment and beauty, making the environment feel like a whimsical dream rather than a grounded reality. This fantastical setting is a reflection of inner peace and happiness, an idealized space where everything feels right.
The interaction between myself and my dog is central to the painting’s emotional and symbolic depth. Perched on her head, I am not only physically elevated but also metaphorically lifted by the love and companionship we share. This dynamic creates a sense of trust and childlike wonder, emphasizing the strength of our bond. The dog’s carefree movement through the field, unrestrained and joyful, mirrors the sense of freedom that comes from being fully present in a world unburdened by worries.
The fantastical landscape, with its vibrant colors and serene atmosphere, amplifies the idea that this is not just an ordinary walk but a journey through an idealized, almost utopian world. The blue sky without a single cloud represents limitless possibilities, suggesting a future free from anxiety or doubt. It heightens the dreamlike quality of the painting, where reality is softened and transformed into a pure expression of happiness and peace.
The smallness of my figure on my dog’s head reinforces the feeling of surrender to the moment, as though I am not in control but rather trusting my dog—and by extension, life—to carry me through this beautiful, fantasy-like world. The dog becomes a vessel of both joy and protection, embodying the purity of unconditional love and the power of companionship.
In conclusion, Serenity is an exploration of joy, freedom, and the fantastical nature of our most cherished relationships. Set in a world that feels like a dream, it speaks to the beauty of living in the present and trusting in the love that surrounds us. The painting is a vivid portrayal of the way companionship can transport us to places of peace and wonder, where everything feels just right.
ME AND MY REFLECTION
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 80 cm each.
"Me and My Reflection" is the centerpiece of my exhibition Mirror of My Soul, expressing my passion for travel and my deep bond with my dog. Created in a modernized Egyptian style, the diptych highlights not only our physical resemblance but also our shared habits and personalities. Both of us wear golden jewelry, symbolizing the sacredness and richness of our connection.
The first painting, Me, shows me sitting near the border of the canvas, gazing towards the second painting, My Reflection, where my dog sits in a similar pose, looking back at me. This mirroring creates a visual dialogue, emphasizing how my dog reflects aspects of my inner self.
Through this reflection, the diptych explores identity and self-perception, suggesting that our closest companions can reveal hidden parts of ourselves.
Ultimately, the paintings symbolize both my love for travel and the emotional journey of self-discovery through my relationship with my dog.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 80 cm each.
"Me and My Reflection" is the centerpiece of my exhibition Mirror of My Soul, expressing my passion for travel and my deep bond with my dog. Created in a modernized Egyptian style, the diptych highlights not only our physical resemblance but also our shared habits and personalities. Both of us wear golden jewelry, symbolizing the sacredness and richness of our connection.
The first painting, Me, shows me sitting near the border of the canvas, gazing towards the second painting, My Reflection, where my dog sits in a similar pose, looking back at me. This mirroring creates a visual dialogue, emphasizing how my dog reflects aspects of my inner self.
Through this reflection, the diptych explores identity and self-perception, suggesting that our closest companions can reveal hidden parts of ourselves.
Ultimately, the paintings symbolize both my love for travel and the emotional journey of self-discovery through my relationship with my dog.
TRUTH OR CHESS
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 60cm x 90 cm.
"Truth or Chess" is an experimental surreal painting that captures the tension of a high-stakes chess game set against a deep black background. The artist, with a chilling smile, is positioned on the opposite side of the viewer, creating an unsettling connection. Both hands are raised in the air, illuminated by a dim, eerie light that casts haunting shadows, enhancing the overall sense of foreboding.
The chessboard is strikingly divided into black and red squares, symbolizing a twisted duality. Instead of traditional pieces, the chess figures are reimagined as horror film clowns—some fictional and others, like Pennywise, drawn from real-life fear. Iconic characters from the horror genre, adorned with their infamous masks, dominate the board, blurring the lines between fantasy and reality.
This painting reflects a profound love for both chess and horror films, showcasing how the strategic game mirrors the tension and fear inherent in the genre. "Truth or Chess" invites viewers to ponder the interplay between strategy and survival, leaving them questioning their own perceptions of fear and control.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 60cm x 90 cm.
"Truth or Chess" is an experimental surreal painting that captures the tension of a high-stakes chess game set against a deep black background. The artist, with a chilling smile, is positioned on the opposite side of the viewer, creating an unsettling connection. Both hands are raised in the air, illuminated by a dim, eerie light that casts haunting shadows, enhancing the overall sense of foreboding.
The chessboard is strikingly divided into black and red squares, symbolizing a twisted duality. Instead of traditional pieces, the chess figures are reimagined as horror film clowns—some fictional and others, like Pennywise, drawn from real-life fear. Iconic characters from the horror genre, adorned with their infamous masks, dominate the board, blurring the lines between fantasy and reality.
This painting reflects a profound love for both chess and horror films, showcasing how the strategic game mirrors the tension and fear inherent in the genre. "Truth or Chess" invites viewers to ponder the interplay between strategy and survival, leaving them questioning their own perceptions of fear and control.
DOG WITH PEACHES
Size 40cm x 50cm
Year of creation: 2024. Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward.
Analysis of the Parody of the Painting "Girl with Peaches" by Valentin Serov, Where the Girl is Replaced by a Dog
In the original painting, Serov created the image of a young, lively girl embodying innocence and joy. Replacing her with a dog in the parody transfers these qualities to the animal, highlighting that dogs are also capable of profound emotions.
Sitting in the same pose as the girl, the dog evokes sympathy and warmth in the viewer. The composition emphasizes that animals deserve care and respect. Like the girl in the original, the dog here symbolizes purity, unconditional love, and trust.
The painting delivers a message to the audience about the equality of all beings, reminding us that animals are not merely companions but rightful inhabitants of the world.
Year of creation: 2024. Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward.
Analysis of the Parody of the Painting "Girl with Peaches" by Valentin Serov, Where the Girl is Replaced by a Dog
In the original painting, Serov created the image of a young, lively girl embodying innocence and joy. Replacing her with a dog in the parody transfers these qualities to the animal, highlighting that dogs are also capable of profound emotions.
Sitting in the same pose as the girl, the dog evokes sympathy and warmth in the viewer. The composition emphasizes that animals deserve care and respect. Like the girl in the original, the dog here symbolizes purity, unconditional love, and trust.
The painting delivers a message to the audience about the equality of all beings, reminding us that animals are not merely companions but rightful inhabitants of the world.
THE SON OF DOG
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
In the painting inspired by René Magritte's "The Son of Man," a dog is depicted in a classic suit and hat like in the original, but instead of a human face, there is the dog’s snout, obscured by an apple. The animal's pose and clothing are stylized to resemble a human, giving the dog an anthropomorphic appearance while retaining its natural form. This contrast emphasizes the idea of the unity of all living beings.
The parody of "The Son of Man," replacing the human with a dog, highlights themes of empathy and interspecies compassion. By concealing the dog's face behind an apple, the artist hints at our distorted perception of animals, which prevents us from recognizing their personalities and unique qualities. The suit and attributes, usually associated with a human appearance, underscore that dogs and other animals have their own "self" and "voice," which we often ignore.
This work serves as a reminder that all beings on the planet share common needs: for understanding, care, and safety. The painting calls for awareness and respectful attitudes toward animals, erasing the boundary between humans and animals and urging us toward compassion for all living beings.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
In the painting inspired by René Magritte's "The Son of Man," a dog is depicted in a classic suit and hat like in the original, but instead of a human face, there is the dog’s snout, obscured by an apple. The animal's pose and clothing are stylized to resemble a human, giving the dog an anthropomorphic appearance while retaining its natural form. This contrast emphasizes the idea of the unity of all living beings.
The parody of "The Son of Man," replacing the human with a dog, highlights themes of empathy and interspecies compassion. By concealing the dog's face behind an apple, the artist hints at our distorted perception of animals, which prevents us from recognizing their personalities and unique qualities. The suit and attributes, usually associated with a human appearance, underscore that dogs and other animals have their own "self" and "voice," which we often ignore.
This work serves as a reminder that all beings on the planet share common needs: for understanding, care, and safety. The painting calls for awareness and respectful attitudes toward animals, erasing the boundary between humans and animals and urging us toward compassion for all living beings.
THE DOGOLFINI PORTRAIT
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics backward.
"The Dogolfini Portrait" is a parody of Jan van Eyck's iconic painting. This approach is not only humorous but also thought-provoking. The dogs symbolize loyalty, sincerity, and devotion—qualities often more important than outward luxury or social status.
The painting seems to suggest that true family life is built on trust and love, rather than external appearances. The details have been meticulously crafted: mirrors, fabric folds, and small objects from the original are all present. Even the symbolism remains—the dog at the feet, the candle in the background. All of this reflects a respect for the classic while reinterpreting it in a fresh, modern way.
The result is a piece that is both funny, profound, and slightly philosophical.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics backward.
"The Dogolfini Portrait" is a parody of Jan van Eyck's iconic painting. This approach is not only humorous but also thought-provoking. The dogs symbolize loyalty, sincerity, and devotion—qualities often more important than outward luxury or social status.
The painting seems to suggest that true family life is built on trust and love, rather than external appearances. The details have been meticulously crafted: mirrors, fabric folds, and small objects from the original are all present. Even the symbolism remains—the dog at the feet, the candle in the background. All of this reflects a respect for the classic while reinterpreting it in a fresh, modern way.
The result is a piece that is both funny, profound, and slightly philosophical.
PORTRAIT WITH THORN NECKLACE AND HUMMINGBIRD
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait with Thorn Necklace and Hummingbird" is a parody of Frida Kahlo's famous painting. Replacing Frida's face with that of a dog adds a touch of humor while preserving the painting's deeper meaning.
The dog symbolizes loyalty and resilience—qualities that help endure hardships. The thorn necklace, hummingbird, and other elements are carefully retained out of respect for the original, but the addition of the dog's face gives the piece a lighter, more ironic tone.
This work serves as a reminder that even in difficult times, it’s important to stay true to yourself, just as dogs do. While the painting brings a smile, its philosophical undertone remains intact.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait with Thorn Necklace and Hummingbird" is a parody of Frida Kahlo's famous painting. Replacing Frida's face with that of a dog adds a touch of humor while preserving the painting's deeper meaning.
The dog symbolizes loyalty and resilience—qualities that help endure hardships. The thorn necklace, hummingbird, and other elements are carefully retained out of respect for the original, but the addition of the dog's face gives the piece a lighter, more ironic tone.
This work serves as a reminder that even in difficult times, it’s important to stay true to yourself, just as dogs do. While the painting brings a smile, its philosophical undertone remains intact.
PORTRAIT OF INFANTA DOGONET
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait of Infanta Dogonet" is a parody of Diego Velázquez's famous painting. Replacing the girl's face with that of a dog makes the artwork both amusing and thought-provoking. The dog symbolizes loyalty, simplicity, and sincerity—qualities that are far more important than status or wealth.
The original details are preserved: the luxurious dress, hairstyle, and pose remain unchanged. However, the addition of the dog's face transforms the painting into something fresh, lighthearted, and ironic.
The piece raises an important question: what truly matters in life? It suggests that titles and outward splendor pale in comparison to the sincerity and devotion represented by the dog's image.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait of Infanta Dogonet" is a parody of Diego Velázquez's famous painting. Replacing the girl's face with that of a dog makes the artwork both amusing and thought-provoking. The dog symbolizes loyalty, simplicity, and sincerity—qualities that are far more important than status or wealth.
The original details are preserved: the luxurious dress, hairstyle, and pose remain unchanged. However, the addition of the dog's face transforms the painting into something fresh, lighthearted, and ironic.
The piece raises an important question: what truly matters in life? It suggests that titles and outward splendor pale in comparison to the sincerity and devotion represented by the dog's image.
INTELLIGENCE
Acrylic, canvas. Size 90 cm x 70 cm.
This painting is about a person depicted in the form of a
horse, symbolizing their peacefulness and harmony with
the world. The flowers reflect their beautiful inner world
creative nature, and high emotional intelligence. The
character in the painting sees only beauty and shares this
love for life with others. They have a high I0, love reading
and strive to learn new things.
This painting is about a person depicted in the form of a
horse, symbolizing their peacefulness and harmony with
the world. The flowers reflect their beautiful inner world
creative nature, and high emotional intelligence. The
character in the painting sees only beauty and shares this
love for life with others. They have a high I0, love reading
and strive to learn new things.
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MOTHER NATURE
Year of creation: 2024
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting portrays a close-up self-portrait, blending traditional and modern elements. Silver eyeshadow, gemstones on my face, wet hair, and traditional Kazakh earrings symbolize my connection to my homeland. The background features a Kazakh tekemet (carpet) in light yellow with blue ornaments, representing my dual identity—rooted in tradition but looking toward the future.
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting portrays a close-up self-portrait, blending traditional and modern elements. Silver eyeshadow, gemstones on my face, wet hair, and traditional Kazakh earrings symbolize my connection to my homeland. The background features a Kazakh tekemet (carpet) in light yellow with blue ornaments, representing my dual identity—rooted in tradition but looking toward the future.
DAUGHTER OF STEPPES
Year of creation: 2024
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting reflects the Kazakh respect for nature, addressing the modern problem of overconsumption. I portray nature herself, burdened by excess, with a wooden staff carrying clothing in natural tones and materials. The tekemet background symbolizes the sky and sun. Through this work, I emphasize the importance of reconnecting with nature and preserving our environment before it’s too late.
Varnished. Acrylic, watercolor, polyurethane rubber on canvas. Size 60cm x 80cm. Signed with acrylic upwards and backwards.
This painting reflects the Kazakh respect for nature, addressing the modern problem of overconsumption. I portray nature herself, burdened by excess, with a wooden staff carrying clothing in natural tones and materials. The tekemet background symbolizes the sky and sun. Through this work, I emphasize the importance of reconnecting with nature and preserving our environment before it’s too late.
MONSIEUR BOULEDOGUE
Year of creation: 2024
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
This portrait of a chocolate-colored French bulldog on a round wooden board blends elegance with charm. The rich brown coat contrasts warmly against the wood’s natural texture, giving the piece a rustic yet timeless feel. The round shape draws the viewer’s focus, centering the bulldog as the dignified subject. The rose in its mouth adds a touch of romance, juxtaposing the breed’s muscular form with tenderness, symbolizing both strength and affection.
The title Monsieur Bulldog references the breed’s French origins, imbuing the dog with an air of sophistication. The wooden medium contrasts with this sense of refinement, reflecting the French bulldog’s dual nature: both sturdy and noble. This portrait thus captures the essence of the breed—charm, strength, and cultural heritage—elevating it beyond a simple depiction into a symbolic expression.
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
This portrait of a chocolate-colored French bulldog on a round wooden board blends elegance with charm. The rich brown coat contrasts warmly against the wood’s natural texture, giving the piece a rustic yet timeless feel. The round shape draws the viewer’s focus, centering the bulldog as the dignified subject. The rose in its mouth adds a touch of romance, juxtaposing the breed’s muscular form with tenderness, symbolizing both strength and affection.
The title Monsieur Bulldog references the breed’s French origins, imbuing the dog with an air of sophistication. The wooden medium contrasts with this sense of refinement, reflecting the French bulldog’s dual nature: both sturdy and noble. This portrait thus captures the essence of the breed—charm, strength, and cultural heritage—elevating it beyond a simple depiction into a symbolic expression.
PEKINGESE 北京狗公
Year of creation: 2024
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
The title of the painting "Pekingese," written in Chinese, subtly emphasizes the breed's origins and highlights its historical connection to Chinese culture. This choice not only draws attention to the royal past of Pekingese, who were kept at the court of Chinese emperors for centuries, but also adds an extra layer of symbolism to the artwork.
The portrait itself, painted on a round wooden board, evokes a sense of ancient Chinese scrolls, where the circular form symbolized perfection and harmony. The Pekingese, depicted with the breed's characteristic beige fur and black markings, radiates calmness and dignity. Its image against a noble yellow background feels like an inseparable part of the artistic tradition, reminiscent of classic portraits where every detail emphasizes the subject's status and importance.
The yellow background, traditionally associated with imperial power in China, creates a striking contrast with the soft beige tones of the fur, lending the portrait a regal quality. In combination with the Chinese title, the painting takes on an even deeper meaning—it is not just a portrait of an animal, but a tribute to its rich cultural heritage, embodying the enduring connection between Eastern traditions and contemporary art.
Varnished. Acrylics, watercolor on round wooden board. Signed with acrylics upward and backward. diameter 27.5 cm.
The title of the painting "Pekingese," written in Chinese, subtly emphasizes the breed's origins and highlights its historical connection to Chinese culture. This choice not only draws attention to the royal past of Pekingese, who were kept at the court of Chinese emperors for centuries, but also adds an extra layer of symbolism to the artwork.
The portrait itself, painted on a round wooden board, evokes a sense of ancient Chinese scrolls, where the circular form symbolized perfection and harmony. The Pekingese, depicted with the breed's characteristic beige fur and black markings, radiates calmness and dignity. Its image against a noble yellow background feels like an inseparable part of the artistic tradition, reminiscent of classic portraits where every detail emphasizes the subject's status and importance.
The yellow background, traditionally associated with imperial power in China, creates a striking contrast with the soft beige tones of the fur, lending the portrait a regal quality. In combination with the Chinese title, the painting takes on an even deeper meaning—it is not just a portrait of an animal, but a tribute to its rich cultural heritage, embodying the enduring connection between Eastern traditions and contemporary art.
POMEGRANATE SELLER FROM DOGLAND
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau's The Pomegranate Seller presents a playful twist, where the figure retains the original human body and attire but now has the face of a dog. The classic posture, with the figure holding a basket of pomegranates, remains unchanged, preserving the elegance and detail of the original composition. However, the substitution of the dog’s face introduces an unexpected element of humor and surrealism. The juxtaposition between the refined, traditional clothing and the animal's face adds a layer of whimsy, while still respecting the painting’s classical aesthetics. This artwork subtly shifts the viewer’s perception, blending the boundaries between human and animal in a way that is both charming and thought-provoking.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau's The Pomegranate Seller presents a playful twist, where the figure retains the original human body and attire but now has the face of a dog. The classic posture, with the figure holding a basket of pomegranates, remains unchanged, preserving the elegance and detail of the original composition. However, the substitution of the dog’s face introduces an unexpected element of humor and surrealism. The juxtaposition between the refined, traditional clothing and the animal's face adds a layer of whimsy, while still respecting the painting’s classical aesthetics. This artwork subtly shifts the viewer’s perception, blending the boundaries between human and animal in a way that is both charming and thought-provoking.
DOG LADY WITH TAMBOURINE
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau’s Lady with Tambourine maintains the original’s classical elegance but adds an element of whimsy by replacing the human face with that of a dog. The figure’s body, posture, and the delicate tambourine remain untouched, preserving the graceful lines and gentle poise characteristic of Bouguereau’s work. The dog’s face, while humorous in its unexpected placement, is not exaggerated; instead, it blends seamlessly with the human form, allowing the viewer to explore the deeper contrast between human grace and animal innocence.
The dog’s expression evokes a sense of loyalty and warmth, adding an almost tender, playful layer to the composition. This contrasts with the classical elegance of the body, creating a surreal yet harmonious fusion of human refinement and animal charm. The tambourine, often a symbol of festivity and rhythm, takes on new meaning here, as the viewer might interpret the presence of the dog as a celebration of the playful, joyful spirit shared by both humans and animals.
By inserting a dog's face into this traditional and romantic depiction, the painting questions the boundaries between human and animal characteristics, blending dignity with humor. It also subtly critiques the idea of idealized beauty, replacing the delicate human face with that of a dog, but without diminishing the overall grace of the piece. The round tambourine, held aloft by the figure, mirrors the cyclical nature of life and the interconnectedness of all living beings, be they human or animal.
In essence, this parody invites viewers to reflect on the shared qualities between humans and animals—grace, innocence, playfulness—and how beauty can transcend species. The painting both honors and subverts Bouguereau’s original, blending the classical with the contemporary, the serious with the absurd, in a way that is both amusing and thought-provoking.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 20cm x 30 cm.
This parody of William Bouguereau’s Lady with Tambourine maintains the original’s classical elegance but adds an element of whimsy by replacing the human face with that of a dog. The figure’s body, posture, and the delicate tambourine remain untouched, preserving the graceful lines and gentle poise characteristic of Bouguereau’s work. The dog’s face, while humorous in its unexpected placement, is not exaggerated; instead, it blends seamlessly with the human form, allowing the viewer to explore the deeper contrast between human grace and animal innocence.
The dog’s expression evokes a sense of loyalty and warmth, adding an almost tender, playful layer to the composition. This contrasts with the classical elegance of the body, creating a surreal yet harmonious fusion of human refinement and animal charm. The tambourine, often a symbol of festivity and rhythm, takes on new meaning here, as the viewer might interpret the presence of the dog as a celebration of the playful, joyful spirit shared by both humans and animals.
By inserting a dog's face into this traditional and romantic depiction, the painting questions the boundaries between human and animal characteristics, blending dignity with humor. It also subtly critiques the idea of idealized beauty, replacing the delicate human face with that of a dog, but without diminishing the overall grace of the piece. The round tambourine, held aloft by the figure, mirrors the cyclical nature of life and the interconnectedness of all living beings, be they human or animal.
In essence, this parody invites viewers to reflect on the shared qualities between humans and animals—grace, innocence, playfulness—and how beauty can transcend species. The painting both honors and subverts Bouguereau’s original, blending the classical with the contemporary, the serious with the absurd, in a way that is both amusing and thought-provoking.
PHILOSOPHY OF LIFE
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward. Size 50cm x 70 cm.
The painting Philosophy of Life invites the viewer to reflect on human nature and the balance between the inner and outer worlds. The wet strands of hair falling over the face symbolize the weight of thoughts and emotions we carry, often hidden from those around us. The contrast of light and shadow across the face highlights life's duality—light and darkness, joy and pain, the visible and the concealed.
The hand supporting the head reflects a moment of deep contemplation, as if trying to bear the weight of life while maintaining balance. The model’s piercing, focused gaze embodies the desire to find meaning amidst chaos, revealing the profound truth that life is a constant search for balance, wisdom, and inner light.
The work urges us to consider our own philosophy of life: what we hide, what we acknowledge, and the path we take in our pursuit of truth.
Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward. Size 50cm x 70 cm.
The painting Philosophy of Life invites the viewer to reflect on human nature and the balance between the inner and outer worlds. The wet strands of hair falling over the face symbolize the weight of thoughts and emotions we carry, often hidden from those around us. The contrast of light and shadow across the face highlights life's duality—light and darkness, joy and pain, the visible and the concealed.
The hand supporting the head reflects a moment of deep contemplation, as if trying to bear the weight of life while maintaining balance. The model’s piercing, focused gaze embodies the desire to find meaning amidst chaos, revealing the profound truth that life is a constant search for balance, wisdom, and inner light.
The work urges us to consider our own philosophy of life: what we hide, what we acknowledge, and the path we take in our pursuit of truth.
SERENITY
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 50 cm.
Serenity draws viewers into a magical, almost ethereal world where reality merges with fantasy. The exaggerated, vibrant colors of the flower field and the dreamlike quality of the setting evoke a sense of stepping into a fantasy landscape, a place where joy and freedom are boundless. The pink and violet flowers, with their soft, otherworldly hues, symbolize enchantment and beauty, making the environment feel like a whimsical dream rather than a grounded reality. This fantastical setting is a reflection of inner peace and happiness, an idealized space where everything feels right.
The interaction between myself and my dog is central to the painting’s emotional and symbolic depth. Perched on her head, I am not only physically elevated but also metaphorically lifted by the love and companionship we share. This dynamic creates a sense of trust and childlike wonder, emphasizing the strength of our bond. The dog’s carefree movement through the field, unrestrained and joyful, mirrors the sense of freedom that comes from being fully present in a world unburdened by worries.
The fantastical landscape, with its vibrant colors and serene atmosphere, amplifies the idea that this is not just an ordinary walk but a journey through an idealized, almost utopian world. The blue sky without a single cloud represents limitless possibilities, suggesting a future free from anxiety or doubt. It heightens the dreamlike quality of the painting, where reality is softened and transformed into a pure expression of happiness and peace.
The smallness of my figure on my dog’s head reinforces the feeling of surrender to the moment, as though I am not in control but rather trusting my dog—and by extension, life—to carry me through this beautiful, fantasy-like world. The dog becomes a vessel of both joy and protection, embodying the purity of unconditional love and the power of companionship.
In conclusion, Serenity is an exploration of joy, freedom, and the fantastical nature of our most cherished relationships. Set in a world that feels like a dream, it speaks to the beauty of living in the present and trusting in the love that surrounds us. The painting is a vivid portrayal of the way companionship can transport us to places of peace and wonder, where everything feels just right.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 50 cm.
Serenity draws viewers into a magical, almost ethereal world where reality merges with fantasy. The exaggerated, vibrant colors of the flower field and the dreamlike quality of the setting evoke a sense of stepping into a fantasy landscape, a place where joy and freedom are boundless. The pink and violet flowers, with their soft, otherworldly hues, symbolize enchantment and beauty, making the environment feel like a whimsical dream rather than a grounded reality. This fantastical setting is a reflection of inner peace and happiness, an idealized space where everything feels right.
The interaction between myself and my dog is central to the painting’s emotional and symbolic depth. Perched on her head, I am not only physically elevated but also metaphorically lifted by the love and companionship we share. This dynamic creates a sense of trust and childlike wonder, emphasizing the strength of our bond. The dog’s carefree movement through the field, unrestrained and joyful, mirrors the sense of freedom that comes from being fully present in a world unburdened by worries.
The fantastical landscape, with its vibrant colors and serene atmosphere, amplifies the idea that this is not just an ordinary walk but a journey through an idealized, almost utopian world. The blue sky without a single cloud represents limitless possibilities, suggesting a future free from anxiety or doubt. It heightens the dreamlike quality of the painting, where reality is softened and transformed into a pure expression of happiness and peace.
The smallness of my figure on my dog’s head reinforces the feeling of surrender to the moment, as though I am not in control but rather trusting my dog—and by extension, life—to carry me through this beautiful, fantasy-like world. The dog becomes a vessel of both joy and protection, embodying the purity of unconditional love and the power of companionship.
In conclusion, Serenity is an exploration of joy, freedom, and the fantastical nature of our most cherished relationships. Set in a world that feels like a dream, it speaks to the beauty of living in the present and trusting in the love that surrounds us. The painting is a vivid portrayal of the way companionship can transport us to places of peace and wonder, where everything feels just right.
ME AND MY REFLECTION
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 80 cm each.
"Me and My Reflection" is the centerpiece of my exhibition Mirror of My Soul, expressing my passion for travel and my deep bond with my dog. Created in a modernized Egyptian style, the diptych highlights not only our physical resemblance but also our shared habits and personalities. Both of us wear golden jewelry, symbolizing the sacredness and richness of our connection.
The first painting, Me, shows me sitting near the border of the canvas, gazing towards the second painting, My Reflection, where my dog sits in a similar pose, looking back at me. This mirroring creates a visual dialogue, emphasizing how my dog reflects aspects of my inner self.
Through this reflection, the diptych explores identity and self-perception, suggesting that our closest companions can reveal hidden parts of ourselves.
Ultimately, the paintings symbolize both my love for travel and the emotional journey of self-discovery through my relationship with my dog.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 40cm x 80 cm each.
"Me and My Reflection" is the centerpiece of my exhibition Mirror of My Soul, expressing my passion for travel and my deep bond with my dog. Created in a modernized Egyptian style, the diptych highlights not only our physical resemblance but also our shared habits and personalities. Both of us wear golden jewelry, symbolizing the sacredness and richness of our connection.
The first painting, Me, shows me sitting near the border of the canvas, gazing towards the second painting, My Reflection, where my dog sits in a similar pose, looking back at me. This mirroring creates a visual dialogue, emphasizing how my dog reflects aspects of my inner self.
Through this reflection, the diptych explores identity and self-perception, suggesting that our closest companions can reveal hidden parts of ourselves.
Ultimately, the paintings symbolize both my love for travel and the emotional journey of self-discovery through my relationship with my dog.
TRUTH OR CHESS
Year of creation: 2024
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 60cm x 90 cm.
"Truth or Chess" is an experimental surreal painting that captures the tension of a high-stakes chess game set against a deep black background. The artist, with a chilling smile, is positioned on the opposite side of the viewer, creating an unsettling connection. Both hands are raised in the air, illuminated by a dim, eerie light that casts haunting shadows, enhancing the overall sense of foreboding.
The chessboard is strikingly divided into black and red squares, symbolizing a twisted duality. Instead of traditional pieces, the chess figures are reimagined as horror film clowns—some fictional and others, like Pennywise, drawn from real-life fear. Iconic characters from the horror genre, adorned with their infamous masks, dominate the board, blurring the lines between fantasy and reality.
This painting reflects a profound love for both chess and horror films, showcasing how the strategic game mirrors the tension and fear inherent in the genre. "Truth or Chess" invites viewers to ponder the interplay between strategy and survival, leaving them questioning their own perceptions of fear and control.
Varnished. Acrylics, watercolor on cotton canvas. Signed with acrylics upward and backward. Size 60cm x 90 cm.
"Truth or Chess" is an experimental surreal painting that captures the tension of a high-stakes chess game set against a deep black background. The artist, with a chilling smile, is positioned on the opposite side of the viewer, creating an unsettling connection. Both hands are raised in the air, illuminated by a dim, eerie light that casts haunting shadows, enhancing the overall sense of foreboding.
The chessboard is strikingly divided into black and red squares, symbolizing a twisted duality. Instead of traditional pieces, the chess figures are reimagined as horror film clowns—some fictional and others, like Pennywise, drawn from real-life fear. Iconic characters from the horror genre, adorned with their infamous masks, dominate the board, blurring the lines between fantasy and reality.
This painting reflects a profound love for both chess and horror films, showcasing how the strategic game mirrors the tension and fear inherent in the genre. "Truth or Chess" invites viewers to ponder the interplay between strategy and survival, leaving them questioning their own perceptions of fear and control.
DOG WITH PEACHES
Size 40cm x 50cm
Year of creation: 2024. Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward.
Analysis of the Parody of the Painting "Girl with Peaches" by Valentin Serov, Where the Girl is Replaced by a Dog
In the original painting, Serov created the image of a young, lively girl embodying innocence and joy. Replacing her with a dog in the parody transfers these qualities to the animal, highlighting that dogs are also capable of profound emotions.
Sitting in the same pose as the girl, the dog evokes sympathy and warmth in the viewer. The composition emphasizes that animals deserve care and respect. Like the girl in the original, the dog here symbolizes purity, unconditional love, and trust.
The painting delivers a message to the audience about the equality of all beings, reminding us that animals are not merely companions but rightful inhabitants of the world.
Year of creation: 2024. Varnished. Acrylics on cotton canvas. Signed with acrylics upward and backward.
Analysis of the Parody of the Painting "Girl with Peaches" by Valentin Serov, Where the Girl is Replaced by a Dog
In the original painting, Serov created the image of a young, lively girl embodying innocence and joy. Replacing her with a dog in the parody transfers these qualities to the animal, highlighting that dogs are also capable of profound emotions.
Sitting in the same pose as the girl, the dog evokes sympathy and warmth in the viewer. The composition emphasizes that animals deserve care and respect. Like the girl in the original, the dog here symbolizes purity, unconditional love, and trust.
The painting delivers a message to the audience about the equality of all beings, reminding us that animals are not merely companions but rightful inhabitants of the world.
THE SON OF DOG
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
In the painting inspired by René Magritte's "The Son of Man," a dog is depicted in a classic suit and hat like in the original, but instead of a human face, there is the dog’s snout, obscured by an apple. The animal's pose and clothing are stylized to resemble a human, giving the dog an anthropomorphic appearance while retaining its natural form. This contrast emphasizes the idea of the unity of all living beings.
The parody of "The Son of Man," replacing the human with a dog, highlights themes of empathy and interspecies compassion. By concealing the dog's face behind an apple, the artist hints at our distorted perception of animals, which prevents us from recognizing their personalities and unique qualities. The suit and attributes, usually associated with a human appearance, underscore that dogs and other animals have their own "self" and "voice," which we often ignore.
This work serves as a reminder that all beings on the planet share common needs: for understanding, care, and safety. The painting calls for awareness and respectful attitudes toward animals, erasing the boundary between humans and animals and urging us toward compassion for all living beings.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
In the painting inspired by René Magritte's "The Son of Man," a dog is depicted in a classic suit and hat like in the original, but instead of a human face, there is the dog’s snout, obscured by an apple. The animal's pose and clothing are stylized to resemble a human, giving the dog an anthropomorphic appearance while retaining its natural form. This contrast emphasizes the idea of the unity of all living beings.
The parody of "The Son of Man," replacing the human with a dog, highlights themes of empathy and interspecies compassion. By concealing the dog's face behind an apple, the artist hints at our distorted perception of animals, which prevents us from recognizing their personalities and unique qualities. The suit and attributes, usually associated with a human appearance, underscore that dogs and other animals have their own "self" and "voice," which we often ignore.
This work serves as a reminder that all beings on the planet share common needs: for understanding, care, and safety. The painting calls for awareness and respectful attitudes toward animals, erasing the boundary between humans and animals and urging us toward compassion for all living beings.
THE DOGOLFINI PORTRAIT
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics backward.
"The Dogolfini Portrait" is a parody of Jan van Eyck's iconic painting. This approach is not only humorous but also thought-provoking. The dogs symbolize loyalty, sincerity, and devotion—qualities often more important than outward luxury or social status.
The painting seems to suggest that true family life is built on trust and love, rather than external appearances. The details have been meticulously crafted: mirrors, fabric folds, and small objects from the original are all present. Even the symbolism remains—the dog at the feet, the candle in the background. All of this reflects a respect for the classic while reinterpreting it in a fresh, modern way.
The result is a piece that is both funny, profound, and slightly philosophical.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics backward.
"The Dogolfini Portrait" is a parody of Jan van Eyck's iconic painting. This approach is not only humorous but also thought-provoking. The dogs symbolize loyalty, sincerity, and devotion—qualities often more important than outward luxury or social status.
The painting seems to suggest that true family life is built on trust and love, rather than external appearances. The details have been meticulously crafted: mirrors, fabric folds, and small objects from the original are all present. Even the symbolism remains—the dog at the feet, the candle in the background. All of this reflects a respect for the classic while reinterpreting it in a fresh, modern way.
The result is a piece that is both funny, profound, and slightly philosophical.
PORTRAIT WITH THORN NECKLACE AND HUMMINGBIRD
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait with Thorn Necklace and Hummingbird" is a parody of Frida Kahlo's famous painting. Replacing Frida's face with that of a dog adds a touch of humor while preserving the painting's deeper meaning.
The dog symbolizes loyalty and resilience—qualities that help endure hardships. The thorn necklace, hummingbird, and other elements are carefully retained out of respect for the original, but the addition of the dog's face gives the piece a lighter, more ironic tone.
This work serves as a reminder that even in difficult times, it’s important to stay true to yourself, just as dogs do. While the painting brings a smile, its philosophical undertone remains intact.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait with Thorn Necklace and Hummingbird" is a parody of Frida Kahlo's famous painting. Replacing Frida's face with that of a dog adds a touch of humor while preserving the painting's deeper meaning.
The dog symbolizes loyalty and resilience—qualities that help endure hardships. The thorn necklace, hummingbird, and other elements are carefully retained out of respect for the original, but the addition of the dog's face gives the piece a lighter, more ironic tone.
This work serves as a reminder that even in difficult times, it’s important to stay true to yourself, just as dogs do. While the painting brings a smile, its philosophical undertone remains intact.
PORTRAIT OF INFANTA DOGONET
Year of creation: 2024
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait of Infanta Dogonet" is a parody of Diego Velázquez's famous painting. Replacing the girl's face with that of a dog makes the artwork both amusing and thought-provoking. The dog symbolizes loyalty, simplicity, and sincerity—qualities that are far more important than status or wealth.
The original details are preserved: the luxurious dress, hairstyle, and pose remain unchanged. However, the addition of the dog's face transforms the painting into something fresh, lighthearted, and ironic.
The piece raises an important question: what truly matters in life? It suggests that titles and outward splendor pale in comparison to the sincerity and devotion represented by the dog's image.
Varnished. Acrylics on cotton canvas. Size 40cm x 50cm. Signed with acrylics upward and backward.
"Portrait of Infanta Dogonet" is a parody of Diego Velázquez's famous painting. Replacing the girl's face with that of a dog makes the artwork both amusing and thought-provoking. The dog symbolizes loyalty, simplicity, and sincerity—qualities that are far more important than status or wealth.
The original details are preserved: the luxurious dress, hairstyle, and pose remain unchanged. However, the addition of the dog's face transforms the painting into something fresh, lighthearted, and ironic.
The piece raises an important question: what truly matters in life? It suggests that titles and outward splendor pale in comparison to the sincerity and devotion represented by the dog's image.
© ALINA KHOZNAN
E-mail: alinakotenok@bk.ru
Instagram: @alinakh.portrait
